In September, South African music lovers will again revel in the exquisite stylings of pianist Vitaly Pisarenko during his nationwide concert tour.
Described by the New York Times as an “immensely gifted pianist … with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian pianist is regarded as one of the finest young musicians of his generation.
His dazzling style has prompted more than one critic to compare his playing to that of a “young Franz Liszt”, so it was no surprise that he scooped first prize in the 8th International Liszt Piano Competition in Utrecht 10 years ago. Since then, Pisarenko (now 31) has become a sought-after performer on the global stage, having toured to more than 25 countries.
He added South Africa to that extensive list three years ago, winning over hearts and minds with his meticulously executed and entertaining performances. Music reviewer Paul Boekkooi observed in Beeld that Pisarenko “knows intuitively that anticipation creates magic” and praised his “enchanting”, “evocative” and “charming” interpretations that saw “composers regaining their inherent grace”.
Now, Pisarenko is returning for a series of intimate recitals as well as concerts with local orchestras, from 2 to 29 September 2018, taking in Gauteng, the Free State, the Western Cape and KwaZulu-Natal.
Pisarenko’s programme for the seven recitals includes No.1 and No.2 of Schubert’s three Klavierstücke (D 946), Prokofiev’s 10 Pieces for Piano (Op. 12), Schumann’s Piano Sonata No. 2 (Op. 22), and Liszt’s Ballade No. 2 and Hungarian Rhapsody No. 10.
Vitaly Pisarenko’s South African recitals:
Vitaly Pisarenko will also perform as a soloist with local orchestras on the following dates:
As an encore, here is how one Dutch reviewer described Pisarenko’s interpretation of Liszt’s Piano Concerto No.1: “The young virtuoso’s interpretation was highly individualistic, finely balanced on the dividing line between poetry and drama. His playing was filled with scintillating runs and feather-light trills, darting playfully among the pizzicato of the strings, sharing a musical joke with the lowly triangle, then just at the right moment looming up out of the shadows with tempestuous octave patterns. Like a poet at the piano, Pisarenko showed great affinity for the composer (he even looks a little like him!).”
Don’t miss this opportunity to see this expressive performer in action in South Africa once again!
Media and general enquiries with regard to Pisarenko’s concert tour can be directed to his South African agent and tour promoter, Hannie Hefer, at http://www.hannieheferpromotions.co.za/contact/
More information on his concerto performances will be available from the respective orchestras.